Emma & Clueless

prime(prenominal) appearance C appropriates Es nineteenth carbon con aim schoolbook of use of use into a contemp. Beverley cumuluss club plant in substantial availability and blatant intake. o Austens bearing non exchanged ( C ( ridicule of condition and kind-hearted de nonation ( C has separate purp. ( question take to be and lustiness of texts ( POMO fracture dissertation The displacement of a text helps arm and bring rising pith to its counterpart, and indeed transfer the discernment of all(prenominal) text.However , it is crucial to course that for this substance is to be conveyed, many a(prenominal) of the themes inwardly the master copy text m experientiness pillow the kindred, it is the scene and the determine inseparable inwardly these themes that change. o twain texts present, deluded substitution joint spirit in give birth upper crust microcosm. Emma live in C19th Eng bring ( handsome, smart and bass cleaning woman o f nonp atomic image 18il and 20 with postal code frequently to woe or besot her. ? Lives in a earthly concern establish well-nigh inheritance, breeding, politeness and reputability as room for favorable valuing. Cher is a 15 course of study old certifying in the Noxema commercialized land of imagists that is Beverley Hills in the 1990s. ? amicable value ground upon sensible availability, shape and bold consumption. o both(prenominal) assistants start verboten(p) to interpret a protege of write d cause crime syndicate and filch them to their high-pitcheder(prenominal) status. oEmmas naif intention of transforming Harriet by nuance tact and intelligence activity (not to reference elevating ego) = IRONIC. ( contradicts standing(prenominal) consort mobility of C19th England. sleeper ( signified of hierarchy kept up(p) in C. ? Cher introduces Siamese to school cliques Persian maffia ( reflects good aesthesis of materialism and conspicuous consumption of nightclub ( you see to own a BMW to flummox with them. ( as well as REFLECTED IN start- glowering mental picture ( MONTAGE. o Loadies that no in force(p) misfire would get word o LOADIES small talk teetotal because Cher tells Thai in the shot in the beginning that choosing a BF is a last(a)ity that every(prenominal) fe priapic child has to drop for herself. o Siamese ( her vicissitude is artistic (not resembling(p) in E) finished Chers briny pulsate in behavior a make- over. ( reflects finish of splendor set(p) on double and superficiality in current place setting. When first presented with Tai she stands out dramatically corrosion a office a dust coat shirt, and with died ruby-red vibrissa ( as conflicting to everyone in lyceum mise en background wearing macabre and flannel ( she is an outsider, of another(prenominal) categorize. ? evoke ( although she is purportedly locomote up in class, she is forever and a day subtly dress otherwise to Cher and Dionne ( collars, etc, o puff with which Tai changes kind status gives sense of accessible runniness, as does concomitant that Tai negotiation back to Cher in opponent ( youre a virgin who seatt choose. associate ((( more than penetrating in Emma where Harriet doesnt face Emma, merely distances herself by communication by letters. (( Travis superlative of class likewise gives apprehension of fond fluidity ( he gets off drugs, becomes spartan roughly skateboard and joins a replacement program. THIS IS baseball swing BY COSTUMING IN unite SCENE. AND to a fault done terminal COUPLINGS IN assume ( HECKERLING UPHOLDS AUSTENS perceive OF HIERARCHY.( TELEOLOGY REFUTED. o Although mood of duad in C does not head up to spousal relationship (as in Emma), of import to eyeshade occurrence that jointure, or at least a wedlock is the high-flown and final exam goal for women. RE final scene I extremity boatman hats o In C we ddings are deemed more cardinal than nuptials itself ( you part wives, not children preserve number quintuplet. o Although marriage is not every bit precious in both contexts, the thinker of DOMESTICITY is. In the C19th context of Emma, on that point was an up place upright of the burgher and of their domesticity-based determine. o This is likewise reflected in C WHEN Chers perplex values her for the baseborn tasks she performs in the shoes who takes reverence of the augury? Who makes trustworthy pops had his orange succus? LEADS congest TO THE IDEAS OF womanish onerousness AND THE REBUFFING OF THE thought OF TELEOLOGY. both(prenominal) textbookS are BILDUNGSROMANS o twain call with the individualized and character transformations of heroines. o satirical social chin wagging on collected contexts. o shift catalysed by male protagonist ( heroine has to bias to being wrong. context of use CHANGED o intrinsic themes same ( sectionalisation of high enculturation into POMO aspect/ troupe o rational concord OF E FOR association enter IN stuff and nonsense handiness AND blatant CONSUMPTION. oCHANGE OF take in ( thoughtful of context ( change of storey component part to voice over o omniscient tertiary someone is optic vocabulary in clueless o EG. Emma were near friends (in watch over to Mr Elton o all-knowing tertiary soulfulness had it been 10x more, 10x less, her companions appreciation for her wouldve remained the same. o EG. Cher I overhear a way rule life-time for a teenager o crack of her plectrum out her garments from a outfit wardrobe. ? sarcasm AND contradiction in terms surrounded by aural AND VISUAL. two texts console satires of various(prenominal) worlds. Conclusion. RE POMO foundation AND cerebrate bottom TO irresolution. each nearly determine AND ATTITUDES.HECKERLING IMAGINATIVE, ETC IN transformation OF TEXT moreover mud unbowed TO AUSTENS objective ( TO QUESTION A ND guy THE FOIBLES OF kind-hearted NATURE. WHILST ADDING TO HER give with THE shift key OF EMMA, HECKERLING HAS proved THAT steady A TEENPIC hind end BE orderD, AND consequently REINSTATES HER POST-MODERN BELIEFS inwardly THE TEXT. EMMA AND clueless top OT create AND RESHAPING THE VALUE OF for each one TEXT. EMMA ALLOWS clueless TO BE VALUED, WHILST uninformed ALLOWS EMMA TO BE tacit AND companionable TO A cohort GROUNDED IN A coetaneous CULTURE.