A Doll’s House and The Cherry Orchard Essays -- Comparative, Ibsen, Ch

Henrik Ibsens A Dolls House and Anton Chekhovs The Cherry Orchard were famous for the way in which they depicted the changing of cultures. Both plays act as a ramify of complaisant commentary during times of widespread liberation, and use the contortive nature of these patently stereotypical characters actions to speak about groups of people as a whole. end-to-end the course of both plays, this subversion of how different groups of people were typically sensed created a distinct contrast which a great deal shocked and appalled audiences of the time. However, the effect of these plays were felt long after they were presented. Henrik Ibsens A Dolls House, written in 1879, is set in late-19th century Norway. Upon publication, Ibsens biting commentary on 19th century marriage stereotypes created widespread uproar. In the plays first act, the viewer is introduced to a young get married couple by the names of Nora and Torvald. In tune with stereotypes of the time, the relations hip is controlled almost dictatorially by the husband. Nora is often treated by Torvald the way genius might expect a father to treat his daughter. For instance, Torvald incessantly refers to Nora by child-like nicknames such as my little squirrel and skylark and often speaks to her in a condescending manner. Nora, who acts as a symbol of all women of that time, initially fits in very well with the common perception of women in late-19th century Scandinavia. Torvald himself point extends this sentiment of male infallibility and female submissiveness to the whole female race, saying, Almost everyone who has bypast to the bad early in life has had a deceitful experience (Ibsen 27). However, throughout the play Nora begins to break the mold of inferiority that was associ... ...Russian gild and social norms. The greatest reminder of this is found in the fact that Lopahkin, the man who Ranevsky once spoke to condescendingly, is now the familys last hope for survival. Ironically e nough, Lopahkin is often glancing at his watch, a reminder that time is changing, and a message that he, himself, is a testament to.In both Anton Chekhovs The Cherry Orchard and Henrik Ibsens A Dolls House the subversion of perception and the revolt of supposedly inferior characters has massive implications on the overall message of the play. These mechanisms draw to light a multitude of questions about the correctness of social norms and the rising of both Russian and Norwegian society. They are powerful reminders of ever-changing society and the nature of human relationships, and they leave the reader at once befogged and motivated for change.